Annie Get Your Gun

March 2024

This hit musical from 1946 which was followed by a successful show in 1950, tells the story of real life sharpshooter, Annie Oakley.  Set in 19th century Midwest America, the show underwent a major revamp in 1999 to take out insensitive references to native American Indians. It still comes across as very dated but has so many well know glorious songs that it is impossible not to enjoy the show despite its very un politically correct setting.

The set was very effective, consisting of a large circular apron to emulate a big top and allowing the band to be accommodated at the back of the stage.  The addition of benches painted in bold colours and striped red and white panels at each side gave the required effect of a circus. Scene changes were very slick and well manged by the ensemble, which meant there was a good flow throughout the show.

Costumes, hair and make-up were excellent and in keeping with the period.  Sound and lighting were also very good.

The leading actress did an admirable job as the head strong feisty character of Annie Oakley.  It was such a shame that she became unwell and had to eventually leave the stage in the second act, so that arrangements could be made for someone to sing in for her.  However, she continued with the dialogue to the end and the spirit of Annie Oakley really shone through.  Although sadly we did not get to see Annie at her best, there was still much to enjoy and appreciate in what was an excellent performance overall.

Her siblings, Nellie, Jessie and Little Jake performed well in ‘doin’ what comes natur’lly’ and Sam as Jake was a little star in his scenes.

Frank Butler had the necessary arrogance and swagger as well as a very impressive singing voice. He gave a confident, well acted performance and had a good rapport with Annie.  Their duet ‘Anything you can do’ was, despite the circumstances, still one of the show’s highlights

The pairing of Winnie Tate and Tommy Keeler was well matched and their duet ’Who do you love I hope’ was delightful.

Dolly Tate, the interfering older sister of Winnie, was played with confidence and vitality.  She delivered her lines well and revelled in the comedy of her part.

Charlie Davenport provided the narration for the production, as well as proving a characterful member of the Wild West show. Supporting principals Buffalo Bill, Chief Sitting Bull, Pawnee Bill and Foster Wilson were also well portrayed.

The ensemble had a good energy and were vocally secure throughout. Having them on stage sitting on the benches at the back for much of the show created a nice atmosphere with plenty of interest for the audience.

Choreography by Debi was well rehearsed and performed with confidence and accuracy by the principals and ensemble. There was a good mix of steps and some very enjoyable routines.

Musical Director Kris had obviously worked hard with the ensemble on the harmonies. ‘My Defences are Down’ was particularly memorable. The band on stage was very effective, well balanced with the cast and they produced an impressive sound.

Direction by Matt and assisted by Jennie was thoughtful and well planned. The iconic opening number ‘There’s no business like show business’ was a terrific, high energy start to the show and the pace was maintained throughout. Despite the circumstances, the whole cast gave an impressive performance that was very much enjoyed by the whole audience.